The musical collaboration of D’Virgilio, Morse, and Jennings has delivered another sonic masterpiece with their sophomore album, enticingly titled “Sophomore.” This album serves as a vibrant testament to the seamless blend of talents possessed by Nick D’Virgilio, Neal Morse, and Ross Jennings. Each artist brings a rich history from their respective bands—D’Virgilio from Big Big Train and the legendary Spock’s Beard, Morse from the supergroups Transatlantic and Flying Colors, and Jennings from Haken and Novena. Their combined prowess creates an album that transcends the boundaries of progressive rock, embedding itself into the hearts of listeners with its enchanting harmonies and acoustic brilliance.
The Vinyl Version is limited to just 2,000 copies worldwide, pressed on 180g transparent red LP encased in a gatefold sleeve, polylined inner sleeve promises an auditory journey marked by acoustic guitars, multi-vocal harmonies, and a continuation of the thematic and musical exploration which began on their debut.
The album’s opening track, “Hard to Be Easy,” hints at influences ranging from the vocal-driven melodies of Styx to the harmonic precision reminiscent of Crosby, Stills, and Nash. Such comparisons set high expectations, which the album not only meets but exceeds, thanks to the trio’s ability to craft songs that are both intricate and accessible. The music is jaw-droppingly beautiful, a beacon of light in the dreary English weather!
Beyond the mere auditory experience, “Sophomore” offers a sanctuary of upliftment and joy. The collaboration between D’Virgilio, Morse, and Jennings is not just a merging of musical talents but a shared passion that resonates through each track. The album, while primarily acoustic, is richly layered with drums, keyboards, and an array of textures that speak to the versatility of its creators. The three-part harmonies stand out as a defining feature, creating an ethereal quality that elevates the music into a realm of its own.
The artists’ primary bands—Big Big Train, Spock’s Beard, Transatlantic, Flying Colors, and Haken—are well-respected in the progressive rock scene for their complexity and innovation. “Sophomore,” however, emerges as a side project that distills the essence of these influences into a more intimate and emotionally resonant form. It’s a testament to the joy and satisfaction the artists find in their collaboration, evident in the music’s ability to convey a sense of light and upliftment.
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Phil Aston | Now Spinning Magazine