Mott The Hoople : Wildlife – Classic Album Review

Wildlife by Mott The Hoople : 1971

Mott The Hoople – Wildlife – Classic Album Review
Filmed on location in Waterlow Park in North London. An appreciation of the track Waterlow and the album Wildlife by Mott The Hoople.
Ian Hunter describes Waterlow as the best thing he ever did.

Filmed at one of my favorite locations, Waterlow Park in North London, I discuss Mott The Hoople’s album “Wildlife.” As a dedicated fan, I hold a particular fondness for this album, even though it may not be widely regarded as one of Mott the Hoople’s best works. However, within this collection lies a hidden gem that I believe showcases Ian Hunter’s songwriting prowess like never before – the captivating track “Waterlow.”

Unveiling the Brilliance of “Waterlow”:
Ian Hunter himself considers “Waterloo” to be the best song he ever wrote. Penned during a period of personal turmoil and his first divorce at the tender age of 21, Hunter would frequent Waterlow Park, strolling amidst its serene ambiance with his children. This poignant composition embodies the realisation that the rock and roll lifestyle was incompatible with his former spouse’s aspirations, as she eventually returned to a more conventional life.

A Masterpiece Unveiled:
“Waterlow” is a standout track on the album “Wildlife” and is hailed as one of the first Mott the Hoople songs to feature a string section. The addition of these orchestral elements adds a mesmerizing quality to the song, emphasizing Hunter’s lyrical brilliance. While I cannot reproduce the song here, its melodic beauty resonates throughout this video.

Unraveling the Tracks of “Wildlife”:
Besides “Waterlow,” “Wildlife” offers several other noteworthy tracks that deserve recognition. Although the album is often regarded as relatively lightweight compared to what preceded and followed it, songs like “Angel of Eighth Avenue” and “Lay Down” (originally by Melanie) showcase Ian Hunter’s songwriting prowess at its finest. Another notable track is “Original Mixed Up Kid,” a compelling piece by Hunter himself. The only misstep on this album is the live track, “Keep a Knockin’,” which feels out of place within the overall collection.

As a tribute to Ian Hunter, I couldn’t resist donning sunglasses, as he is renowned for his signature shades. Attempting to match his coolness is undoubtedly a tall order, but I wanted to pay homage to the iconic musician during my visit to Waterloo Park.

Conclusion:
In conclusion, “Wildlife” may not receive the acclaim bestowed upon Mott the Hoople’s more celebrated albums, but within its tracks lies the enchanting “Waterlow.” This album captures a snapshot of Ian Hunter’s early career and offers glimpses of his songwriting genius. If you’re a Mott the Hoople fan or intrigued by Ian Hunter’s musical journey, I encourage you to explore “Wildlife” in its entirety.

You can find “Wildlife” available in various formats, including reissued editions or as part of the Mott the Hoople box set. Thank you for joining me.

Phil Aston | Now Spinning Magazine

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