Fanny: The Reprise Years 1970-1973 – Box Set Review
Fanny, one of the pioneering all-female rock bands, was groundbreaking for its time, and this set captures their prime years with beautifully remastered tracks and bonus material.
This six-CD box set includes their four albums released on Reprise: Fanny (1970), Charity Ball (1971), Fanny Hill (1972), and Mother’s Pride (1973). These records were trailblazing at the time, and Fanny is often remembered for its stellar musicianship and the band’s ability to navigate a highly male-dominated music industry. Members of the band include June Millington on guitar, Jean Millington on bass, Alice de Buhr on drums, and Nickey Barclay on keyboards, with all members contributing vocals.
Chart-wise, the band had modest success, with Charity Ball reaching #40 on the Billboard Hot 100 in 1971. However, they were critically praised, and their live performances left a lasting impact, showcasing their undeniable talent.
The band’s cover of Cream’s Badge on Charity Ball is particularly noteworthy, and it speaks to their adaptability and courage, especially when Jean Millington had to step up to play the iconic guitar solo after the original guitarist left. The set also includes live recordings, bonus demos, and outtakes that add a rich layer to the band’s legacy.
In terms of production, Fanny Hill was helmed by famed producer Todd Rundgren, giving it a slick, polished sound. For me, this album, alongside their debut, stands out in the set. Songs like Last Night I Had a Dream and Long Road Home reflect a band evolving but also trying to find its musical footing.
What makes this box set special is that the band members were actively involved in its production, providing detailed liner notes for each album. Their personal insights bring a fresh perspective to these already excellent albums.
If you’re a fan of vocal harmonies, tight musicianship, and the history of women in rock, this set is a must-have. Fanny may have been ahead of their time, but this collection gives them the spotlight they deserved all along.
Phil Aston | Now Spinning Magazine
