Ian Anderson Interview: Reflections on Touring, Legacy & Health with the Jethro Tull Frontman
In this special episode of the Now Spinning Magazine podcast, I was honoured to welcome back one of rock’s most distinctive voices and minds — Ian Anderson of Jethro Tull.
We covered a wide spectrum of topics, from the ongoing “Curiosity” concert series to the evolving reissue campaign of the Tull back catalogue. Ian also opened up about his approach to performance, the importance of maintaining his physical health, and his views on AI, religion, and men’s well-being — all with the trademark dry wit and clarity that fans have come to love.
Not a Tour — But a Life in Music
Despite a packed schedule of live dates across Europe and the UK, Ian is quick to clarify: “We don’t do tours — we do concerts.” Unlike the six-week runs of yesteryear, today’s Jethro Tull performances are structured to allow him to return home several nights a week. As he puts it, “I like to sleep in my own bed at least three nights a week.”
That includes a trip to Truro, Cornwall this year — which, as Ian jokes, may be the rare occasion he doesn’t make it back home the same night.
The “Curiosity Tour” and Crafting a Setlist Across 24 Albums
What does it take to create a setlist that spans over five decades of music?
“It’s about presenting the big picture,” Ian says. With tracks planned from their debut This Was all the way to the upcoming 2025 album, fans can expect a broad journey through the band’s musical evolution. Careful attention is paid to the keys, tempos, and lyrical content of songs, ensuring a dynamic and engaging show.
Still Living in the Past – The Box Set Era
We also spoke about Still Living in the Past, the latest in a long line of beautifully curated deluxe editions. Ian confirmed this edition was designed to bring closure to the early Tull era — while still offering value to longtime fans via surround sound mixes, live content, and never-before-heard material.
I also praised the consistency and quality of the hardback book-style packaging. Ian agreed, noting that the format has become a signature for these reissues — and teased that at least two more box sets are in the works with Warner Music.
A Performer, Not a Socialite
What may surprise some fans is how Ian approaches fame and social life.
“I choose to avoid social contact,” he explained candidly. “One-on-one is okay. A party of four is getting to be a crowd.” Despite his animated stage presence, off-stage Ian prefers solitude, reflection, and meaningful productivity over small talk.
Health, Balance, and One-Legged Flute Mastery
At nearly 78, Ian still performs with a level of energy and control that many younger musicians struggle to maintain. He credits this to years of physically engaging performances — including the iconic one-legged flute stance — and a regular health routine that includes blood tests, colonoscopies, and prostate checks.
He also revealed he’s currently managing considerable knee pain and may require a replacement in the near future — although he’s hoping for a less invasive solution. “I don’t have 12 weeks to spare,” he said, half-laughing.
Speaking Out for Men’s Health
Ian is also unafraid to use his platform to talk about men’s health — both on stage and off. From prostate exams to the dangers of deep vein thrombosis on long flights, his candid approach may well have encouraged many fans to get checked — and potentially saved lives.
Spirituality and Christmas Concerts
As we approached the end of our conversation, Ian reflected on the spiritual importance of his annual Christmas concerts. Though not religious in the traditional sense, he deeply values the atmosphere and unity these performances create.
He also spoke warmly about visiting cathedrals around the world while on tour — taking time for quiet reflection regardless of faith or doctrine. “It’s a spiritual communion,” he says, “even if people don’t fully understand it.”
Final Words on AI and Legacy
Ian’s closing comments were pointed and passionate — especially regarding the rise of AI in music. While he’s no stranger to technological innovation, he strongly opposes posthumous AI recreations of artists without their consent. “It’s capitalising on people who are no longer here to defend themselves,” he said, citing Greg Lake, Bach, and even Beethoven.
Phil Aston | Now Spinning Magazine
