Album Review: Oliver Wakeman’s “Anam Cara” – A Celtic Journey
The title of the album translates to “Soul Friend,” and it’s an apt description for this deeply emotive and richly layered work.
I’ve had the pleasure of interviewing Oliver Wakeman twice now, and our latest discussion delved into the making of “Anam Cara.” This album is far more than just another release for me; it’s an intricate tapestry of music and storytelling. Described in press releases as a Celtic rock/prog album, the Celtic influence is certainly present, but there’s so much more to uncover with each listen.
Oliver Wakeman is a prolific composer, writing all the music and lyrics for “Anam Cara.” His work on this album goes beyond crafting songs; these are miniature theatrical productions, complete with compelling narratives and complex characters set to music. In our interview, Oliver shared how much research and thought went into each track, making them akin to soundtracks for unwritten dramas.
When I first listened to the album, I expected the high-level musicianship associated with Oliver, given his impressive lineage and background in progressive music. But what struck me immediately was the quality of the songs themselves. Each track is meticulously crafted, with verses that are as memorable as choruses—a technique Oliver learned from the late John Wetton, who believed every part of a song should stand out.
“The View From Here,” the album’s opening track, sets the tone with its acoustic, Celtic feel and beautiful violin work by Robert McClung. It’s a love song that draws you in with its melodic charm.
“The Queen’s Element,” a six-minute epic about one of King Henry VIII’s wives, showcases Oliver’s storytelling prowess. He infuses historical research into the lyrics, creating a vivid narrative about courage and tragedy, brought to life by Hayley Griffiths’ emotive vocals.
“Here Is My Heart” stands out with its genuine Celtic feel, beginning with a two-minute instrumental intro that perfectly sets the scene. The lyrics and melody create an immersive experience, making it a perfect soundtrack for a drive through the Celtic landscape of Cornwall where I live.
“Marble Arch,” nearly nine minutes long, is perhaps the defining track of Oliver’s career. This cinematic piece is rich with espionage and secret agent themes, featuring dynamic shifts from rock to jazz, and culminating in a powerful solos from guitar, violin and keyboards. It’s a story you can see and feel with every listen.
“In the Moonlight” offers a dreamy, groovy vibe, while “Miss You Now” presents one of the album’s most commercial sounds, with a catchy chorus and heartfelt guitar solo from Oliver himself.
The album’s closer, “Golden Sun and Grey,” is an epic at eight and a half minutes. With its ethereal choir sounds and extended instrumental sections, it paints a vivid picture of Celtic and mystical landscapes, perfect for imagining scenes by the sea. David Mark Pearce was given the dream chord sequence in which to lay down his solo in this one and that he certainly does, just epic!
The musicianship on “Anam Cara” is top-notch, featuring Hayley Griffiths on vocals, Oliver Wakeman on piano, Rhodes, keyboards, and guitar, David Mark Pearce on electric guitar, Oliver Day on Classical Guitar, Lute, Troy Donockley on Whistles, Robert McClung on Violin, Steve Amadeo on Bass and Scott Higham on Drums. Each artist brings their own unique touch, adding depth and richness to the album.
“Anam Cara” is an album that rewards repeated listens. Each time you dive in, you uncover new layers and details, making it a truly engaging experience.
If you haven’t already, give “Anam Cara” a listen. It’s available now on CD, and you won’t regret exploring this beautiful, soulful work from Oliver Wakeman.
Phil Aston | Now Spinning Magazine
