Roger Waters: The Dark Side of The Moon Redux Live – Record Store Day Review
Record Store Day always brings exciting releases for music fans, and this year’s event was no exception with Roger Waters’ “The Dark Side of the Moon Redux Live”. Having previously reviewed the studio version of this reinterpretation—which proved divisive among fans—I approached the live release with both curiosity and cautious optimism.
My original review of the studio version aimed to be fair and balanced, viewing it as a familiar meal prepared slightly differently. As a lifelong fan of “Dark Side of the Moon,” owning multiple versions across formats (including the marbles and scarves from the super deluxe edition), I was intrigued by how this live recording would translate.
The live Redux comes as a single album, somewhat surprisingly brief compared to the studio’s three-sided vinyl. Immediately noticeable was the lack of information included—no track listings, minimal design, just Roger Waters in his pink jacket. It’s pressed on pink vinyl, which aesthetically fits the theme, but I missed a polylined inner sleeve for protection.
Musically, the live version feels unexpectedly subdued. Waters, known for grand productions and meticulous live performances, sets a restrained atmosphere here. There’s very little audible indication of an audience presence beyond brief, quiet applause. It feels less like a live album and more akin to a studio recording in its polished yet muted delivery.
Lyrically, “The Dark Side of the Moon” has matured with me, becoming increasingly poignant and relevant. However, in this live Redux, Waters’ spoken monologues and reinterpretations overshadow many of the iconic lyrics. While fascinating as a reflective piece from a man now in his 80s, it lacks some of the emotional resonance found in both the original and the studio Redux.
The instrumentation feels notably stripped back, missing the dynamic flair that Waters typically brings to live performances. The subdued band arrangement doesn’t quite fill the space left by the absence of David Gilmour’s iconic guitar work. Despite Waters’ history of featuring outstanding guitarists, this release feels surprisingly restrained.
Interestingly, opinions vary significantly, even within the music reviewing community. Brendan Snyder, a fellow reviewer, prefers this live interpretation over the studio version, highlighting the diversity of listener experiences.
In conclusion, while this live Redux might appeal to dedicated Roger Waters fans and collectors, particularly those curious about his evolving artistic vision, personally, I find the studio version of Redux offers more depth and emotional connection. However, your mileage may vary, and I’m genuinely curious to hear your thoughts.
Music remains a healer and a doctor, continually sparking discussion and emotional exploration. Keep spinning those records and sharing your thoughts!
Phil Aston | Now Spinning Magazine
