Sendelica Requiem for a Mankind: Album Review
Sendelica has always been a band that takes listeners on a journey, and Requiem for a Mankind is no exception. Over the years, their albums—such as The Cromlech Chronicles and Man Myth & Magic—have become a cherished part of my music collection. But with Requiem for a Mankind, Pete Bingham and the band have reached new heights.
From the very first track, Cosmic Slop (In the Beginning), you’re transported into an expansive soundscape that feels both familiar and spellbinding. Sendelica’s signature ethereal saxophone, hypnotic guitar riffs, and sweeping synths are all present, but this time, they’ve added layers of depth and emotion that elevate the entire experience.
The standout track, Requiem for the Planet, features a stunning vocal performance by guest vocalist Calli. It’s reminiscent of Pink Floyd’s The Great Gig in the Sky—melancholy yet uplifting, with a vocal line that soars over a deeply emotive instrumental backing. This track alone is worth the price of admission and will undoubtedly resonate with fans of both classic and modern progressive rock.
Instrumentation and Innovation
Pete Bingham’s guitar work on this album is particularly noteworthy. While his previous solos often felt like they were woven into a larger tapestry, here they stand out as distinct and powerful moments. The inclusion of traditional piano adds a grounded, almost orchestral quality to the record, while field recordings—a hallmark of Sendelica’s sound—are more prominent than ever, enriching the album’s texture.
Tracks range from the heavy, Tony Iommi-inspired riffs to the ambient, transient pieces that make Sendelica’s music so versatile. The band’s ability to seamlessly blend these elements is what makes Requiem for a Mankind such a compelling listen.
If I had to describe this album in one sentence, it would be this: Requiem for a Mankind feels like the work of a band given complete creative freedom, unrestrained by time or budget. The result is a record that is polished yet raw, expansive yet intimate.
This album secured a spot in my top 10 albums of 2024 and is going to be played a great deal more in 2025
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Phil Aston | Now Spinning Magazine
