Cats in Space: Atlantis – A New Era in Full Cinematic Glory
In Episode 4 of my special 10 Years of Cats in Space interview series, I’m joined once again by founding members Greg Hart and Stevie Bacon to dive deep into the creation of their 2020 album Atlantis — a record that marked both a fresh chapter for the band and one of their most cinematic, emotionally charged works to date.
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By the time Atlantis came into view, Cats in Space had already delivered three acclaimed albums with vocalist Paul Manzi. His departure to join The Sweet could have been a crisis point — but instead, it opened the door for Damian Edwards to step aboard. Known for his extraordinary vocal range in theatre productions such as War of the Worlds, Damian brought both rock power and theatrical nuance, instantly elevating the band’s sound.
Greg recalls first hearing Damian’s audition recordings:
“He could sing like a 13-year-old Donny Osmond or Freddie Mercury… and then he sends back four lead vocals in a day. Ian Capel just sat there and said, ‘Well, he’s the best singer I’ve ever recorded in my career.’”
But Atlantis wasn’t just about a new voice. It was forged in the most unusual of times — during COVID lockdowns, amid personal health challenges, and with the music industry on pause. For Stevie, the album became deeply personal. He was preparing for major heart surgery, yet insisted on tracking drum parts before his operation. His recovery brought a renewed energy, and the opening of Atlantis features his triumphant return, complete with the distinctive “roto-toms” that became a signature sound.
Thematically, Atlantis took the Cats into uncharted territory — literally. With artwork by Andy Kitson, the concept plunged the band into an underwater world, creating a setting for songs that were both observational and uplifting. Tracks like Sunday Best and I Fell Out of Love with Rock and Roll blended nostalgia with sharp social commentary, while Spaceship Superstar, Magic Loving Feeling, and Queen of the Neverlands showcased the expanded sonic palette brought by Damian’s range and the band’s growing studio mastery.
For Greg, the production of Atlantis cemented the band’s unique identity:
“It’s Cats Around Sound. Every instrument has its place, and if my guitar isn’t meant to be the loudest in the mix, that’s fine. It’s about the song.”
The album also proved a commercial success, becoming the first Cats in Space release to require multiple vinyl pressings — a rare achievement in the lockdown era.
Looking back, both Greg and Stevie see Atlantis as a turning point — a record that not only kept the band’s momentum alive during one of the most challenging periods in modern music but also expanded their creative horizons.
With its cinematic scope, emotional depth, and undeniable hooks, Atlantis stands as one of the band’s defining works.
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Phil Aston | Now Spinning Magazine
