Revisiting the Haunting Brilliance of Spooky Tooth’s Early Albums
I’m thrilled to discuss the recent vinyl reissues of the first two albums by Spooky Tooth, a band that holds a special place in my heart.
Spooky Tooth’s Debut: “It’s All About”
First up is their debut album, “It’s All About.” Originally released in 1968, this album marks the beginning of Spooky Tooth’s journey into the realms of progressive rock and blues. The reissue is a treat, featuring a polylined inner sleeve and a replica Island label that evokes nostalgia.
This album introduced me to Spooky Tooth years ago when I picked it up on a whim at a record fair. The voices, the Hammond organ, and the overall feel of the band captivated me. Tracks like “Society’s Child,” “Sunshine Help Me,” and “Too Much of Nothing” showcase the band’s unique sound, characterized by the soulful vocals of Gary Wright and Mike Harrison, both of whom also played the organ. This dual vocal and keyboard dynamic creates a haunting, powerful, and soulful sound that sets Spooky Tooth apart.
Their rendition of “Tobacco Road” and other blues-infused tracks demonstrate Luther Grosvenor’s exceptional guitar prowess. This debut album is a masterpiece, capturing the essence of an era where musical exploration was at its peak.
Spooky Two: The Launchpad to Greatness
Next is “Spooky 2,” released in 1969. This album is an immaculate piece of hard rock history that solidified Spooky Tooth’s place in the rock pantheon. The reissue faithfully reproduces the original’s gatefold sleeve and vibrant colors, enhancing the visual and tactile experience of vinyl enthusiasts.
From the opening track “Waitin’ for the Wind,” with its iconic riff and echoing snare drum, to the heartfelt ballad “Feeling Bad,” “Spooky Two” is an album that showcases the band’s versatility and depth. The vocal interplay between Mike and Gary is mesmerizing, blending seamlessly yet distinctively.
“Evil Woman,” featuring Grosvenor’s legendary guitar work, and “Lost in My Dream,” with its Mellotron and Hammond organ layers, highlight the band’s ability to craft complex, emotionally charged songs. The album’s standout track, “Better by You, Better than Me,” later covered by Judas Priest, exemplifies Spooky Tooth’s knack for creating enduring rock anthems.
A Band That Could Have Been Bigger
Reflecting on these albums, it’s puzzling why Spooky Tooth didn’t achieve the same level of fame as some of their contemporaries like Led Zeppelin or Deep Purple. Their music, filled with angst, soul, and innovative sounds, deserved to reach a wider audience. Perhaps their subsequent experimental album “Ceremony” with Pierre Henry diverted their trajectory, but that’s a story for another day.
I sincerely hope Universal continues this reissue program. These albums are essential for any UK 70s hard rock aficionado. Spooky Tooth’s music is timeless, with superb production, outstanding performances, and unforgettable songs.
If you’re a fan of vintage rock, these reissues are a must-have. They capture a unique period in music history, offering a glimpse into the exploratory spirit of the late 60s and early 70s.
Order It’s All About from Here
Phil Aston | Now Spinning Magazine
