Revisiting Black Sabbath’s Seventh Star – A Personal Journey
Hi, Phil Aston here from Now Spinning Magazine!
Today, I’m diving into a pivotal yet often overlooked chapter in the Black Sabbath story: the 1986 album Seventh Star. This record, originally intended as a Tony Iommi solo project, became a Black Sabbath release and has since carved its own unique place in their discography.
Setting the Stage: The Mid-80s Heavy Metal Landscape
By 1986, heavy metal had fractured into diverse styles. The rise of thrash metal, the dominance of polished American hard rock, and the shadow of the New Wave of British Heavy Metal had reshaped the scene. Yet, in Birmingham—Sabbath’s birthplace—they remained untouchable, a cornerstone of rock’s foundation.
Seventh Star emerged during this tumultuous time, offering a sound that reflected Iommi’s desire to evolve while staying true to Sabbath’s legacy. Featuring the incredible Glenn Hughes on vocals, this album blends bluesy roots, melodic rock, and Sabbath’s signature riffs.
Album Highlights: Songs That Stand Out
“Danger Zone”
This track epitomizes Sabbath’s ability to craft memorable riffs. It’s driving, powerful, and incredibly uplifting—a quintessential Friday night anthem.
“No Stranger to Love”
A haunting and melodic piece with a yearning guitar riff reminiscent of Sabbath Bloody Sabbath. Hughes’ vocals soar, adding an emotional depth that makes it unforgettable.
“Seventh Star”
The title track captures the epic feel of classic Sabbath, blending atmospheric keyboards with Iommi’s masterful guitar work.
“Heart Like a Wheel”
A bluesy journey showcasing Iommi’s phenomenal soloing, harking back to Sabbath’s early days while exploring new territory.
“Angry Heart” & “In Memory”
These closing tracks showcase Hughes’ emotional range and Iommi’s ability to craft deeply moving music, making them standout moments on the album.
The Legacy of Seventh Star
While the album deviated from the traditional Sabbath formula, it showcased Tony Iommi’s versatility as a guitarist and songwriter. It also cemented Glenn Hughes’ position as one of rock’s most expressive vocalists. Despite its complex history, Seventh Star remains a vital chapter in the Black Sabbath story—a testament to their resilience and willingness to push boundaries.
My Connection to the Album
Listening to this album takes me back to 1986, living in Birmingham, where Sabbath’s presence was palpable. From seeing Tony Iommi around town to hearing Seventh Star for the first time, it’s a record that holds a special place in my collection. Revisiting it now, I’m reminded of its brilliance and how it continues to resonate with fans old and new.
Phil Aston | Now Spinning Magazine
Great review and so spot on in all aspects-I bought the LP- and cassette-as soon as it was available. I saw this lineup in NJ in 1986 with WASP and Anthrax. Unfortunately Glenn Hughes was not singing well at all and the performance was subpar .I believe he was sacked after this show..Best part of it was me getting a drumstick that Eric Singer tossed my way! I love the album, as I do everything Sabbath or Iommi or any member has put out as a group or solo artist. I have been fortunate to see them live many times -as Sabbath, as Heaven and Hell (including the last show with RJD at House of Blues NJ)-even Geezer on his solo tour. Black Sabbath as a whole or in part has been like a soundtrack thru my life’s adventures. Would love it they would put out an LP -or 2-of just some instrumental heavy bluesy jamming like only they can.!