Ritchie Blackmore’s Top 10 Deep Purple Tracks Ranked
By Phil Aston, Now Spinning Magazine
Ritchie Blackmore’s influence and innovation as a guitarist with Deep Purple are undeniable, leaving a legacy that resonates powerfully to this day. In this blog, I’m sharing what I consider to be his top 10 definitive tracks with Deep Purple, showcasing the breadth and depth of his artistry.
Let mw know in the comments what you would have chosen?
10. Spanish Archer (The House of Blue Light, 1987)
Initially underrated, “Spanish Archer” exemplifies Blackmore’s aggressive, fluid guitar style. The solo work here is particularly intense, marked by dynamic tremolo use, and stands as a highlight of his later career. Revisit this track, preferably the original CD version, for its full brilliance.
9. Anya (Live in Stuttgart, Come Hell or High Water, 1993)
This live rendition from Stuttgart reveals Blackmore at his improvisational best, weaving an exotic, Eastern-influenced solo that showcases his mastery of scales and melody. It’s thrilling and emotive, backed superbly by Ian Paice and Roger Glover’s intuitive rhythm.
8. Mistreated (Live in London, 1974)
A definitive live performance where Blackmore’s atmospheric intro leads seamlessly into one of his most heartfelt solos. Capturing raw emotion, the guitar work ranges from gentle melodic phrasing to intense climactic peaks, beautifully complementing Coverdale’s powerful vocals.
7. Under the Gun (Perfect Strangers, 1984)
Chaotic and urgent, this track encapsulates the spontaneous nature of Deep Purple’s sound. Blackmore’s solo is impulsive and thrilling, reflecting the band’s inherent sense of unpredictability and excitement.
6. When a Blind Man Cries (B-side, 1972)
An emotionally nuanced performance, this track demonstrates Blackmore’s softer, more introspective side. His gentle, precise guitar work here is beautifully understated, showing a restraint rarely heard in his earlier studio recordings.
5. No No No (Fireball, 1971)
Initially overlooked, “No No No” is a progressive standout, featuring Blackmore’s exceptional slide guitar and soulful solos. His playing here is notably measured and melodic, brilliantly supporting the song’s structure and feel.
4. Strange Kind of Woman (Live in Tokyo, Made in Japan (Deluxe Edition), 1972)
This live version is electrifying, encapsulating the very spirit and energy of Deep Purple at their peak. Blackmore’s performance is deeply exciting, capturing the live spontaneity that defines the band’s legendary status.
3. Burn (Made in Europe, 1975)
An explosive live version of my all-time favourite Deep Purple track, this performance is electric from the outset. Blackmore’s iconic riff, funky interludes, and searing solos make this a definitive showcase of his live prowess.
2. Highway Star (Made in Japan, 1972)
One of the greatest live tracks ever recorded, Blackmore’s performance here is ferociously dynamic, blending melodic solos with blistering speed and technique. The chaotic energy captured live exemplifies the magic and risk inherent in Deep Purple’s performances.
1. Child in Time (Deep Purple In Rock, 1970)
Undisputedly number one, “Child in Time” remains a benchmark for guitar solos in rock music. The intense emotional crescendo, technical brilliance, and raw energy showcased in Blackmore’s playing remain unparalleled, setting a high-water mark for guitarists everywhere.
These selections encapsulate the diverse brilliance of Ritchie Blackmore’s tenure with Deep Purple. Let me know your thoughts—what tracks would you include? Remember, music heals and connects us all. Keep spinning those discs, and I’ll talk to you very soon!
Phil Aston, Now Spinning Magazine
