Ginevra : Beyond Tomorrow : Review

Ginevra : Beyond Tomorrow : Review

With echoes of Danish melodic rock icons Pretty Maids and German power metal titans Helloween at their most melodic, Swedish melodic rock/metal titans Ginevra return with their eagerly anticipated second album, which comes hot on the heels of their debut in 2022.

Kicking off with the driving melodic metal opener and stand out track, Moonlight, it really hits the ground running. Everything that you would want is here, melodic, driving, powerful catchy rock/metal with great symphonic and synth elements that feel integral to the sound and don’t just feel like an afterthought tacked on to the mix; a great opening song. And it doesn’t let up from there; the symphonic, choral intro to, Lightning Roses, which develops through a great riff into epic, soaring melodic metal; the mid-paced melodic rock of, True North, which really blurs the line between rock and metal; the power metal feel of the single, Let Freedom Ring, with its driving double kick drums and the classic, uplifting melodic rock of another stand out song, Echoes Of The Lonely. The second half of the album keeps up this pace with more driving, melodic metal; Arms Of Oblivion, with its melancholic, symphonic feel; penultimate song, Higher, which is straight up classic melodic rock that could easily have been the soundtrack to a “training montage” in any classic 80s movie; and finally rounding the album out with another classic feeling melodic rock track, Enemy Of Your Destiny.

Production here is excellent, from the great chugging guitars (which can often sound flabby or wooly, but not here, the guitar tone is outstanding), to the really well produced bass tone, most noticeable on the track Lightning Roses, the production works really well. The mix is balanced and appropriate for this style of modern music which could really be described as melodic rock with metal guitars. Musicianship across the album is exceptional and we must make special note of the guitar work of Magnus Karlsson. Is the man superhuman? Talk about prolific! This is the second album released so far this year which features his guitar work, which is always erudite, appropriate and just what’s needed, it’s flashy but controlled; an exceptional musician.

A slight criticism of the album is that it’s a little front loaded with most of the best tracks appearing in the first half of the album; another symptom of streaming and the need to grab a listener’s attention, perhaps? Despite this however, this really is a great album; powerful, catchy, melodic and despite some of the lyrical content being deep and often serious in its tone, musically the album is uplifting and at times exhilarating. If you’re new to this band but you’re a fan of any sort of melodic/heavy metal or melodic/hard rock then there’s very likely something here that you’re gonna like. So once again I have to ask the question: does anyone do melodic rock/metal as good as those Scandinavians? There certainly must be something in the water in Sweden!

Rating: 8/10 – Great

Wayne McAloon | Now Spinning Magazine

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Musician, music teacher and producer Wayne’s love of music began early when as a young child he would sneak into his older brother’s bedroom and just stare at the covers of many what are now considered Classic Albums, but the real spark was lit when he heard Iron Maiden’s The Number of The Beast for the first time aged 9. Something happened that day and he’s never been quite the same since! Wayne began playing guitar aged 9, joined his first band at 14 and quickly moved onto the drums at 15. Wayne has worked in and been involved with many areas of the music industry; musician, music teacher, music retail, producer, studio engineer, live sound engineer and luthier but his real passion is music education and teaching.Wayne graduated from the University of Sunderland with a BA in Music with a specialism in Musicology. For the last 23 years he has worked as a private music tutor, alongside working in schools and colleges, and since 2014 he has worked as a producer and mixing/mastering engineer in his small studio, Wildwood Studios, in rural North-East England. This has given him the opportunity to work with local artists and bands but also some noteworthy “rockstars” too and has helped to give him a good insight into not only how music is produced but also how the music business works.Wayne has been a record collector (mainly CD but some Vinyl) pretty much his whole life since he received his first 7” singles for Christmas in 1984. And yes, he still has them! Wayne is also co presenter on our monthly ‘Metal Monthly Podcast’.

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